3002

When I sit down to write a piece of music usually I'm using a guitar or some kind of a keyboard, and I sketch it out as one would sketch out a new painting. In the next phase, you have to produce it, which is a different animal–an un-caged animal–in the sense that it's hard to control. It starts to go down its own paths, and once you're far along the path, you have to continue on with it, or abandon it, and return to square one. I'm beginning to hate music production because once you've caged the un-caged animal, you might not like the cage that it's in, and you're in that cage as well.